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James J. O'Meara: The Homo and the Negro (Hardback)

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James J. O'Meara's The Homo and the Negro brings a "queer eye" to the overwhelmingly "homophobic" Far Right. In his title essay, O'Meara argues that the Far Right cannot effectively defend Western civilization unless it checks its premises about homosexuality and non-sexual forms of male bonding, which are undermined not just by liberals and feminists, but also by Judeo-Christian "family values" advocates. O’Meara also uses his theory to explain the stigmatization of Western high culture as “gay” and the worship of uncultured oafs as masculine ideals. Although O’Meara grants that the “gay rights” movement is largely subversive, he argues that homosexuals have traditionally played prominent roles in creating and conserving Western civilization.

The Homo and the Negro collects 14 pieces on such topics as conservatism, homosexuality, race, fashion, Occupy Wall Street, Mad Men, The Gilmore Girls, The Untouchables, The Big Chill, They Live, popular music (Heavy Metal, Black Metal, New Age, Scott Walker), and such figures as Noël Coward, Oscar Wilde, and Humphrey Bogart. A work of broad learning, deep insight, and stunning originality, The Homo and the Negro establishes James O’Meara as one of the most iconoclastic and courageous voices on the Alternative Right.



This book is also available in a softcover edition.


James J. O'Meara: The Homo and the Negro (Hardback)

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Additional Information

Author James J. O'Meara
Full Title The Homo and the Negro: Masculinist Meditations on Politics and Popular Culture
Binding Hardback
Publisher Counter-Currents (2012)
Pages 202
ISBN 978-1935965473
Language English
Short Description

James J. O'Meara's The Homo and the Negro brings a "queer eye" to the overwhelmingly "homophobic" Far Right. In his title essay, O'Meara argues that the Far Right cannot effectively defend Western civilization unless it checks its premises about homosexuality and non-sexual forms of male bonding, which are undermined not just by liberals and feminists, but also by Judeo-Christian "family values" advocates. O’Meara also uses his theory to explain the stigmatization of Western high culture as “gay” and the worship of uncultured oafs as masculine ideals. Although O’Meara grants that the “gay rights” movement is largely subversive, he argues that homosexuals have traditionally played prominent roles in creating and conserving Western civilization. The Homo and the Negro collects 14 pieces on such topics as conservatism, homosexuality, race, fashion, Occupy Wall Street, Mad Men, The Gilmore Girls, The Untouchables, The Big Chill, They Live, popular music (Heavy Metal, Black Metal, New Age, Scott Walker), and such figures as Noël Coward, Oscar Wilde, and Humphrey Bogart. A work of broad learning, deep insight, and stunning originality, The Homo and the Negro establishes James O’Meara as one of the most iconoclastic and courageous voices on the Alternative Right.

This book is also available in a softcover edition.

Table of Contents

1. The Homo & the Negro: A Masculinist View of the Futility of the “Right”
2. Homosexuality, “Traditionalism,” & Really-Existing Tradition
3. A Band Apart: Wulf Grimsson’s Loki’s Way
4. Sir Noël Coward, 1899–1973
5. Wild Boys vs. “Hard Men”
6. Fashion Tips for the Far-from-Fabulous Right
7. Mad Männerbund?
8. The Gilmore Girls Occupy Wall Street
9. “God, I’m with a heathen”: The Rebirth of the Männerbund in Brian De Palma’s The Untouchables
10. Of Costner, Corpses, & Conception: Mother’s Day Meditations on The Untouchables & The Big Chill
11. Humphrey Bogart: Man Among the Cockroaches
12. He Writes! You Read! They Live
13. I’ll Have a White Rock, Please: Implicit Whiteness, Aryan Futurism, & the Godlike Genius of Scott Walker
14. The Counter-Currents Interview

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