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Greg Johnson (ed.): Trevor Lynch's White Nationalist Guide to the Movies

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Since 2001, Trevor Lynch's witty, pugnacious, and profound film essays and reviews have developed a wide following among cinephiles and White Nationalists alike. Lynch deals frankly with the anti-white bias of many mainstream films, but he is even more interested in discerning positive racial messages and values, sometimes in the most unlikely places. Trevor Lynch's White Nationalist Guide to the Movies gathers together some of his best essays and reviews covering 32 movies, including his startling philosophical readings of Pulp Fiction, The Dark Knight Trilogy, and Mishima; his racialist interpretations of The Lord of the Rings and Gangs of New York; his masculinist readings of The Twilight Saga and A History of Violence; his insights into the superhero genre occasioned by Guillermo del Toro's Hellboy movies; and his hilarious demolitions of The Matrix Trilogy, The Girl With the Dragon Tattoo series, and the detritus of Quentin Tarantino's long decline. Trevor Lynch's White Nationalist Guide to the Movies establishes its author as a leading cultural theorist and critic of the North American New Right. Foreword by Kevin MacDonald.

Greg Johnson (ed.): Trevor Lynch's White Nationalist Guide to the Movies

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Additional Information

Author Greg Johnson (ed.), Foreword by Kevin MacDonald
Full Title Trevor Lynch's White Nationalist Guide to the Movies
Binding Softcover
Publisher Counter-Currents (2012)
Pages 202
ISBN 978-1935965442
Language English
Short Description Since 2001, Trevor Lynch's witty, pugnacious, and profound film essays and reviews have developed a wide following among cinephiles and White Nationalists alike. Lynch deals frankly with the anti-white bias of many mainstream films, but he is even more interested in discerning positive racial messages and values, sometimes in the most unlikely places. Trevor Lynch's White Nationalist Guide to the Movies gathers together some of his best essays and reviews covering 32 movies, including his startling philosophical readings of Pulp Fiction, The Dark Knight Trilogy, and Mishima; his racialist interpretations of The Lord of the Rings and Gangs of New York; his masculinist readings of The Twilight Saga and A History of Violence; his insights into the superhero genre occasioned by Guillermo del Toro's Hellboy movies; and his hilarious demolitions of The Matrix Trilogy, The Girl With the Dragon Tattoo series, and the detritus of Quentin Tarantino's long decline. Trevor Lynch's White Nationalist Guide to the Movies establishes its author as a leading cultural theorist and critic of the North American New Right. Foreword by Kevin MacDonald.
Praise

“Trevor Lynch provides us with a highly literate, insightful, and even philosophical perspective on film—one that will send you running to the video rental store for a look at some very worthwhile movies—although he is also quite willing to tell you what not to see. He sees movies without the usual blinders. He is quite aware that because Hollywood is controlled by Jews, one must typically analyze movies for their propaganda value in the project of white dispossession. Trevor Lynch’s collection is a must read for anyone attempting to understand the deep undercurrents of the contemporary culture of the West.” – Kevin MacDonald, author of The Culture of Critique, from the Foreword “Trevor Lynch’s White Nationalist Guide to the Movies is not some collection of vein-popping rants about Hollywood’s political agendas. It’s a thoughtful and engaging examination of ideas in popular films from a perspective you won’t find in your local newspaper or in Entertainment Weekly. Lynch has chosen films that—in many cases—he actually enjoyed, and playfully teased out the New Right themes that mainstream reviewers can only afford to address with a careful measure of scorn. How many trees have been felled to print all of the Marxist, feminist, minority-pandering ‘critiques’ of contemporary celluloid over the past fifty years? Isn’t it about time we read an explicitly white review of The Fellowship of the Ring, or a Traditionalist take on take on The Dark Knight?” – Jack Donovan, author of The Way of Men

Table of Contents

Foreword by Kevin MacDonald • iii
Editor’s Note by Greg Johnson • vii
1. Introduction: Why I Write • 1

The Lord of the Rings
2. The Fellowship of the Ring • 7
3. The Two Towers • 11
4. The Return of the King • 18
5. “The Scouring of the Shire” • 22

Christopher Nolan
6. Batman Begins • 27
7. The Dark Knight • 31
8. The Dark Knight Rises • 42
9. Inception • 54

Guillermo del Toro
10. Cronos, The Devil’s Backbone, & Pan’s Labyrinth • 57
11. Hellboy • 63
12. Hellboy II: The Golden Army • 68

Quentin Tarantino
13. Pulp Fiction • 73
14. Kill Bill: Vol. I • 97
15. Inglourious Basterds • 102
16. Django Unchained • 109

The Matrix Movies
17. The Matrix Reloaded • 115
18. The Matrix Revolutions • 121

The Twilight Saga
19. Twilight • 126
20. New Moon • 131
21. Eclipse • 134
22. Breaking Dawn, Part 1 • 138
23. Breaking Dawn, Part 2 • 143

The Millennium Trilogy
24. The Girl with the Dragon Tattoo • 145
25. The Girl with the Dragon Tattoo Remake • 149
26. The Girl Who Played with Fire • 152
27. The Girl Who Kicked the Hornet’s Nest • 156

Violence & Redemption
28. 300 • 159
29. Gangs of New York • 163
30. A History of Violence • 168
31. Mishima: A Life in Four Chapters • 173
32. The Baader-Meinhof Complex • 185

About the Author • 190

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